Wednesday, April 29, 2009
Moore on Farmer
Philip José Farmer was a seminal influence upon the League. I mean, I had read his Tarzan Alive and Doc Savage: His Apocalyptic Life, which had that whole “World Newton” family tree that connected up all the pulp adventure heroes. Although we’ve taken it a little bit further than that in the League, whether we would have ever thought of that without the primary example of Philip José Farmer, I don’t know.Moore also talks a bit about Iain Sinclair's "Prisoner of London," from Slow Chocolate Autopsy, who features in the latest LOEG series, Century.
I’ve still got a healthy collection of Phillip José Farmer’s work. He will be very much missed. He was a very important writer. He was one of the pioneers in writing intelligently about sex in science fiction. I can remember reading Strange Relations way back in the day, when I was still in school. It had a profound effect on me; it made me realize it was possible to write intelligently about sex without it being pornography or smutty jokes, and yes, science fiction was as good a place for it as anywhere else.
So many great works – “The Jungle Rot Kid on the Nod,” a great mash-up of two writers named Burroughs. He would change his writing style for the job on hand. He wasn’t afraid to try anything new – I mean, his Riverworld books, the first couple were wonderful.I think he sometimes he came up with brilliant ideas that maybe didn’t go as far as I’d hoped, but that’s the only criticism I can think of. And if you’re criticizing someone for being too ambitious, that’s not really a criticism at all. If only a few of our modern writers were as brilliant as Philip José Farmer, then I think the world of culture would be a much better place.