Monday, April 18, 2005


Whatever happened to the future?

Over on his blog Charlie Stross has some interesting thoughts about why, in his view, American SF seems to be dominated by futures that are--to say the least--a bit grim, while British writers are capable of producing progressive, thoughtful, and perhaps even optimistic futures. He prefaces his remarks with a note that dismisses it as a bit of armchair philosophizing, but I think he touches on some really interesting and valid points.

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