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    Good Omens

    Good Omens is one of my favorite novels. I bought it the day it was released in the US in hardcover, and have probably read it a half-dozen times in the three decades since. (It’s probably my favorite thing that Neil Gaiman has ever written, and in my top five favorite Terry Pratchett works.) But despite the rumblings about possible film adaptations going back all the way to the beginning, I never had much confidence that it could be successfully adapted into a different medium. Thankfully, I was wrong. Very wrong, as it turns out. Because the six-part miniseries that was released on Amazon Prime the week before last satisfied in every conceivable way. The scripts by Neil Gaiman captured the tone and wit of the novel perfectly, and the direction by Douglas Mackinnon never missed a step. The score by David Arnold was note perfect, and the animated opening titles were fantastic. Everyone in the cast turned in stellar performances, but in particular Michael Sheen and David Tennant as the angel and demon who have hung around on Earth so long that they’ve gone native. I would happily watch another full season of those two characters just hanging out, sharing meals and bottles of wine, reminiscing about the old days.
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    Hellboy Day!

    It’s incredibly humbling to see my illegible signature scrawled alongside so many others who have helped make Mike Mignola’s Hellboy and the related spinoffs one of the most significant bodies of work in the history of comics. Happy 25th Anniversary!

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    Carmen Sandiego


    I didn’t know that I needed a cartoon reboot of Carmen Sandiego in my life, but it turns out I absolutely do.

    I never came across the early Carmen Sandiego computer games in the 80s, but I was in college when the PBS series Where In The World Is Carmen Sandiego? debuted in 1991 and I have vivid memories of watching it in my dorm every day after class. I was only vaguely aware of the various cartoon spinoffs and subsequent computer games that followed throughout the 90s, and never had any great sentimental attachment to the character. So I greeted the news of a new cartoon series on Netflix with mild curiosity at best. The early teasers I saw looked interesting, and I liked the look of the character designs, but I didn’t have terribly high expectations going in.

    This week my kid and I watched all nine episodes of the first season of Carmen Sandiego, and it has quickly shot to the top of our list of Most Awesome Animated Shows. With Gina Rodriguez voicing the titular character and Finn Wolfhard voicing her hacker pal Player, the new series reimagines Carmen Sandiego as a kind of globe-trotting Robin Hood, stealing historical treasures back from the villainous V.I.L.E. and returning them to their rightful owners, all while keeping ahead of the superspies of ACME who are hot on her heels. The character designs by Chromosphere’s Kevin Dart (whose work I raved about on my blog ages ago) are gorgeous, the animation by DHX Media is fluid and lively, and the music by Lorenzo Castelli and Steve D’Angelo is note perfect. It is a jet-setting superspy thriller with great action and genuine laughs, and with a healthy dose of educational content in every episode.

    Since watching the series I’ve acquainted myself with the backstory and lore established through the various game shows, computer games, and cartoon spinoffs, and was surprised to learn just how much the new series draws from the earlier iterations, including the return of Rita Moreno (who voiced the character in the first cartoon adaptation in the early 90s) in a key cameo role. In terms of cartoon reboots, this is on par with the new DuckTales series in terms of creating something that feels fresh, new, and relevant while being constructed almost entirely out of elements that had already been established in earlier versions of the franchise. It’s a fantastic piece of work, and we can’t wait to see the second season!

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    Killing Eve

    I’d heard all of the raves about Killing Eve last year, but only got around to watching the BBC America series this month. Created by Phoebe Waller-Bridge and based on the Codename Villanelle novellas written by Luke Jennings, it stars Sandra Oh as an MI6 operative searching for an assassin played by Jodie Comer. I went in expecting to like it, but was not prepared for just how MUCH I would end up loving the series. It is by turns hilarious and heart-pounding, with amazing performances, sparkling writing, flawless editing, and the most spectacular soundtrack of any TV series I’ve watched in ages. (I stayed up late the night I finished the last episode building a playlist of all of the music from the show in Apple Music, and I’ve had Unloved’s Crash Boom Bang on a constant loop in my head ever since.) The second season is scheduled to begin airing in April, so if you haven’t checked out the first season yet you’ve got more than enough time to catch up and join me in eagerly anticipating what happens next. As for me, I’ll most likely be watching the whole thing again from the beginning in the meantime, because I just can’t get enough of this show.

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    The World’s Writing Systems

    I have a post on Metafilter to thank for pointing out The World’s Writing Systems. Here’s what the site is for, in its own words:

    This web site presents one glyph for each of the world’s writing systems. It is the first step of the Missing Scripts Project, a long-term initiative that aims to identify writing systems which are not yet encoded in the Unicode standard. As of today, there are still 146 scripts not yet encoded in Unicode.

    The information can be arranged chronologically, or by region, name, Unicode number, or status, but however it’s sorted the site is packed with interesting data on writing systems and is incredibly aesthetically pleasing.