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The Frankenstein Chronicles

I’m late to the party on this one, I think. The first season of ITV’s The Frankenstein Chronicles was recommended to me by Mike Mignola back at the end of 2017, and when both seasons cropped up on Netflix a few months later I added the series to my watch list, but I didn’t get around to watching any of it until the holidays a few weeks ago. I thought I had a pretty good idea what the series would be about, but I was completely wrong. It was so, SO much more than I had expected.

To avoid spoiling things too much, I’ll just say that The Frankenstein Chronicles is a period-piece horror/mystery story with supernatural/science-fictional elements that makes brilliant use of the era in which it is set, incorporating real historical figures in key roles. (Pointing out just who those historical figures are would spoil the fun so I’ll refrain, though I will say that I kicked myself for not recognizing the pen name of newspaper reporter until after I finished watching the second season finale.) And the story is set in a historical era that I haven’t often seen explored in these sorts of TV shows and movies, late Georgian England (1827 to 1830, specifically) rather than the more familiar Victorian era.

The second season was scripted by a different team of writers than the first, and there is a slight shift in tone, but I found the way that they explore and expand on the way the first season ends deeply satisfying. There are moments of real horror throughout, so it’s not for the squeamish, but the way that real literary history, politics, science, and philosophy are threaded through the narrative was surprisingly sophisticated and well-done, to my tastes. Both seasons are available now on Netflix, and are well worth checking out.

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